Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Lorenzo Costa
Allegory of the Court of Isabella d'Este

ID: 00529

Lorenzo  Costa Allegory of the Court of Isabella d'Este
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Lorenzo  Costa Allegory of the Court of Isabella d'Este


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Lorenzo Costa

1460-1535 Italian Lorenzo Costa Locations Italian painter of the Ferrarese and Bolognese schools. Trained in the manner of such painters as Tura and Cossa, he modified the strident Ferrarese style when he became a partner of Francia. Among his paintings are the Madonna and Child with the Bentivoglio Family and the Triumphs of Petrarch in San Giacomo Maggiore, the Madonna with Saints in San Petronio, and the Madonna in San Giovanni in Monte, all in Bologna. His Three Saints is in the Metropolitan Museum.   Related Paintings of Lorenzo Costa :. | Conversion of St Valerian | Allegory of the Court of Isabella d'Este | Court of Isabella d'Este after 1505 | Portrait of a Man | Das Konzert |
Related Artists:
Alfred Thorne
painted Insjolandskap med gard in 1886
Martin Archer Shee
RA (December 23, 1769 - August 13, 1850) was a British portrait painter and president of the Royal Academy. He was born in Dublin, of an old Catholic Irish family, and his father, a merchant, regarded the profession of a painter as an unsuitable occupation for a descendant of the Shees. Martin Shee nevertheless studied art in the Dublin Society, and came to London. There, in 1788, he was introduced by William Burke to Joshua Reynolds, on whose advice he studied in the schools of the Royal Academy. In 1789 he exhibited his first two pictures, the "Head of an Old Man" and "Portrait of a Gentleman." Over the next ten years he steadily increased in practice. He was chosen an associate of the Royal Academy in 1798, in 1789 he married, and in 1800 he was elected a Royal Academician. He moved to George Romney's former house in Cavendish Square, and set up as his successor. Shee continued to paint with great readiness of hand and fertility of invention, although his portraits were eclipsed by more than one of his contemporaries, and especially by Thomas Lawrence. The earlier portraits of the artist are carefully finished, easy in action, with good drawing and excellent discrimination of character. They show an undue tendency to redness in the flesh painting defect which is still more apparent in his later works, in which the handling is less "square," crisp and forcible. In addition to his portraits he executed various subjects and historical works, such as Lavinia, Belisarius, his diploma picture "Prospero and Miranda", and the "Daughter of Jephthah." In 1805 he published a poem consisting of Rhymes on Art, and a second part followed in 1809. Lord Byron spoke well of it in his English Bards and Scotch Reviewers. Shee published another small volume of verse in 1814, entitled The Commemoration of Sir Joshua Reynolds, and other Poems, but this was less successful. He also produced a tragedy, Alasco, set in Poland. The play was accepted at Covent Garden, but was refused a licence, on the grounds that it contained treasonable allusions, and Shee angrily resolved to make his appeal to the public. He carried out his threat in 1824, but Alasco was still on the list of unacted dramas in 1911. He also published two novels - "Oldcourt" (1829, in 3 volumes) and "Cecil Hyde" (1834).
Edward Burne-Jones
British Pre-Raphaelite Painter, 1833-1898 English painter and decorative artist. He was the leading figure in the second phase of the Pre-Raphaelite movement. His paintings of subjects from medieval legend and Classical mythology and his designs for stained glass, tapestry and many other media played an important part in the Aesthetic Movement and the history of international Symbolism.






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